Clean Flicks of Colorado, LLC v. Steven Soderbergh, et al.
433 F. Supp. 2d 1236 (2006)
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Rule of Law:
Creating and distributing fixed, edited copies of copyrighted motion pictures without the copyright holder's permission constitutes copyright infringement of the rights of reproduction and distribution, and does not qualify as a fair use even if the edits are intended to make the work more appealing to a particular audience.
Facts:
- The Motion Picture Studios hold valid copyrights for numerous motion pictures they distribute to the public on DVDs and VHS tapes.
- CleanFlicks and Family Flix obtained authorized copies of the Studios' movies.
- They made a complete digital copy of each movie onto a computer, bypassing any copy-protection technology.
- Using software, CleanFlicks and Family Flix edited the movies to delete content they deemed objectionable, such as 'sex, nudity, profanity and gory violence.'
- From these edited digital files, they created a new master copy and used it to produce new, physically altered copies on recordable DVDs (DVD-Rs).
- CleanFlicks, Family Flix, and distributors CleanFilms and Play It Clean sold and rented these edited DVD-Rs to the public for commercial gain.
- The editing companies often required customers to purchase an authorized, unedited copy of the movie along with the edited version or maintained a 'one-to-one' inventory ratio of original to edited copies.
Procedural Posture:
- After a period of complex litigation involving multiple claims and parties, the Motion Picture Studios ('Studios') filed counterclaims for copyright infringement against several companies, including CleanFlicks, Family Flix, CleanFilms, and Play It Clean ('Mechanical Editing Parties').
- The case was heard in the U.S. District Court.
- The Studios filed a motion for partial summary judgment on their copyright infringement counterclaims, requesting an injunction to stop the Mechanical Editing Parties' activities.
- The U.S. District Court considered the Studios' motion for partial summary judgment.
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Issue:
Does the creation and distribution of edited versions of copyrighted motion pictures, from which objectionable content has been removed, constitute copyright infringement, or is such activity protected as a 'fair use' under 17 U.S.C. § 107?
Opinions:
Majority - Matsch, Senior District Judge.
Yes, the creation and distribution of edited versions of copyrighted motion pictures constitutes copyright infringement and is not protected as a 'fair use.' The companies' actions violate the Studios' exclusive rights to reproduction under § 106(1) and distribution under § 106(3) of the Copyright Act. The affirmative defense of fair use fails upon analysis of the four statutory factors. (1) The purpose and character of the use is commercial and not transformative; merely deleting content does not add new expression, meaning, or message. The public policy argument for creating 'family-friendly' versions is irrelevant to copyright law. (2) The nature of the copyrighted works is highly creative, which weighs heavily against a finding of fair use. (3) The amount and substantiality of the portion used is nearly the entire work, which also weighs against fair use. (4) The effect on the potential market includes harm to the intrinsic value of the copyright holder's right to control the content and presentation of their work and to choose the audience they wish to reach. The court also rejected the 'first sale' doctrine as a defense, because it does not permit the creation of new copies.
Analysis:
This decision strongly reinforces a copyright holder's right to control the integrity of their creative work. It clarifies that merely redacting or deleting content is not a 'transformative' use for the purposes of a fair use analysis, which significantly narrows the defense for businesses that alter existing media. The ruling effectively invalidated the business model of selling sanitized versions of films, drawing a clear line between such commercial infringement and permissible in-home filtering technologies that do not create new, fixed copies. This precedent emphasizes that the copyright bundle of rights includes the right to control how a work is presented, not just the right to prevent economic substitution in the marketplace.
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